The acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People also the screenwriter for Taxi Driver , Paul Schrader here analyzes the film style of three great directors—Yasajiro Ozu, Robert Bresson, Carl Dreyer—and posits a common dramatic language by these artists from divergent cultures. Unlike the style of psychological realism, which dominates f...(展开全部)

The plot of Exercises in Style is simple: a man gets into an argument with another passenger on a bus. However, this anecdote is told 99 more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

The plot of Exercises in Style is simple: a man gets into an argument with another passenger on a bus. However, this anecdote is told 99 more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

Cristina Videira Lopes 是美国加州大学欧文分校，唐纳德•布伦信息与计算机科学学院信息学专业教授，研究方向是大规模数据和系统下的软件工程。在其职业生涯早年，曾是施乐帕罗奧多研究中心（Xerox PARC）面向方向编程及AspectJ编程语言团队的初创成员。除其研究项目以外，Cristina也是一位多产的软件开发者。她对于开源项目的贡献包括水下声纳调制解调软件和虚拟世界服务OpenSimulator。她是一家专注于为早期可持续城市重建项目提供在线虚拟现实服务的公司的联合创始人。她开发并维护了一款基于OpenSimulator虚拟世界的搜索引擎。

Cristina Videira Lopes 是美国加州大学欧文分校，唐纳德•布伦信息与计算机科学学院信息学专业教授，研究方向是大规模数据和系统下的软件工程。在其职业生涯早年，曾是施乐帕罗奧多研究中心（Xerox PARC）面向方向编程及AspectJ编程语言团队的初创成员。除其研究项目以外，Cristina也是一位多产的软件开发者。她对于开源项目的贡献包括水下声纳调制解调软件和虚拟世界服务OpenSimulator。她是一家专注于为早期可持续城市重建项目提供在线虚拟现实服务的公司的联合创始人。她开发并维护了一款基于OpenSimulator虚拟世界的搜索引擎。